AMERICAN MUSEUM OF ATOMIC ENERGY

Special Thanks To: Todd Franklin

Hey kids! Pull up your bobby socks and get ready to duck and cover ’cause we’re visiting the American Museum of Atomic Energy! I’m sure you’ve heard about that little project during WWII called the Manhattan Project, right? You know, atomic bombs and such. The souvenir beanie above is telling the truth when it says, “Oak Ridge, Tennessee is the home of the atomic bomb. This “secret city” sprouted up during the war years and in its factories the atomic bomb was built. After the war, the town shifted to civilian control.

In 1949, Oak Ridge also became the home of the American Museum of Atomic Energy! This was the place to learn about the benefits of the all powerful atom. More importantly, it was the place where you could get a radioactive dime to take home as a souvenir!

In the brochure pictured above, it looks like those teenagers are having fun feeding the machine dimes. Boy, that sure beats getting a wooden nickel for a souvenir!

Unfortunately, the dime didn’t glow like my exaggerated example, but that’s how I like to imagine it when it came out of the machine. In reality, the radiation faded away quickly and the dime was supposedly safe to stick in your pocket. (Click here for more info on irradiated dimes and here for another photo.)

The museum was much more than radioactive dimes according to these excerpts from the brochure.

The Dagwood Splits the Atom exhibit looks like fun! Science is always better when explained by comic characters. Apparently this exhibit made the rounds to various fairs and museums. Click here and here to view the official comic.

Here you get to see a schematic model of plants that helped build the atomic bomb.

The first gas diffusion separation is on display. (You know, I really don’t know what any of this means, but it sure does sound interesting!

The Theatre of the Atom. I think this is where an audience member would get their hair zapped. Click here to see this gal get a new atomic hairdo!

The American Museum of Atomic Energy moved to a new location in 1975 and in 1978 the name was changed to American Museum of Science and Energy. Even though they don’t have a dime irradiator machine the place still looks like a fun family outing.

I leave with you this very cool photo of a vintage bowling shirt from Oak Ridge. I snapped this pic at the Bowling Hall of Fame back when it was located in St. Louis, Missouri.

via Neato Coolville: AMERICAN MUSEUM OF ATOMIC ENERGY

Everything Is Beautiful – Even Computer Components

The Computer Age is an informational brochure providing a short, but concise, story of the evolution of IBM computers from 1951 to 1976 (the year of publication). The entire booklet is available in PDF format from the Computer History Museum and can be found here. While it is an interesting introduction on how we got from there to here – from the huge and incredibly expensive vacuum tube mini-minds, to the less expensive, smaller, faster, and smarter personal computers of the time – there is something else that stands out.

The ‘special-effects’ photography of Mitchell Funk is fab. Below are three of his images from the booklet. IBM must have been immensely pleased by Funk’s ability to show their computer components as wonderful works of art.

A glistening array of IBM vacuum tubes.

A row of transistors appear to be marching in front of rainbow-ed wiring.

This curious and haunting image suggesting the ‘ghosts in the machine’.

Pretty good stuffs.

 

A h/t to Luis Cesar at Facebook for the inspiration.

Space Age, Baby

André Courrèges’ 1960s Space Age Fashion and clear plastic blow-up furniture by Emanuelle and Quasar Khan.

The Chemosphere: John Lautner’s Space Age Wonder

The Malin House (Chemosphere) in the Hollywood Hills.

If you had to choose one building to represent the most Modern of iconic Modern designs, you might well choose the Malin House (Chemosphere) in the Hollywood Hills. An octagon perched atop a twenty-nine-foot high, five-foot-wide concrete column like a flying saucer on a stick, the Chemosphere is recognizable even to those who know nothing else about mid-century architecture.

It was designed by groundbreaking architect John Lautner for Leonard Malin, a young aerospace engineer with a steeply sloping lot and $30,000 to spend on a house that would somehow perch upon it. Thanks to Lautner’s ingenious design and sponsorships by companies like Chem Seal (who provided experimental coatings and was rewarded by the building’s name), Malin got his wish. Malin and his wife raised four children in the house.

A Room With A View – This innovative mid century modern home was featured in the Brian De Palma thriller, Body Double.

The one-story building is reached by a funicular and a concrete patio connects one side of it to the steep, lushly vegetated hillside. The bulk of the building hovers in an unlikely fashion above the hill, with windows on all sides to provide an astounding view of the San Fernando Valley.

Chemosphere Living Area – Mid-Century Modern Fantastic

Chemosphere Bedroom With A Different View

Today this architectural wonder is owned by TASCHEN book publisher, Benedikt Taschen.

All photos by Julius Shulman / Getty Images
Sources: Los Angeles Conservancy and Vintage Los Angeles.

The M65 – Not The Spiral Galaxy, The Atomic Cannon

Operation Upshot-Knothole – 25 May 1953

The M65 Atomic Cannon, often called Atomic Annie, was a towed artillery piece built by the United States and capable of firing a nuclear device. It was developed in the early 1950s, at the beginning of the Cold War, and fielded by 1953 in Europe and Korea.

On May 25, 1953 at 8:30am, the Atomic Cannon was tested at Nevada Test Site (specifically Frenchman Flat) as part of the Upshot-Knothole series of nuclear tests. The test — codenamed Grable — was attended by then Chairman of the Joint Chiefs of Staff Adm. Arthur W. Radford and Secretary of Defense Charles Erwin Wilson; it resulted in the successful detonation of a 15 kt shell (W9 warhead) at a range of 7 miles. This was the first and only nuclear shell to be fired from a cannon.

The Grable mushroom cloud with the Atomic Cannon in the foreground. (Photo courtesy of National Nuclear Security Administration/Nevada Field Office)

After the successful test, there were at least 20 of the cannons manufactured at Watervliet and Watertown Arsenals, at a cost of $800,000 each. They were deployed overseas to Europe and Korea, often continuously shifted around to avoid being detected and targeted by opposing forces. Due to the size of the apparatus, their limited range, the development of nuclear shells compatible with existing artillery pieces (the W48 for the 155mm and the W33 for the 203mm), and the development of rocket and missile based nuclear artillery, the M65 was effectively obsolete soon after it was deployed. However, it remained a prestige weapon and was not retired until 1963.

Of the twenty M65s produced, at least eight survive on display.

Go Kommie Kidz, Go

Unique footage you’ve probably never seen – in the midst of the fight against the corrupting influence of the West. The Lev Golovanov Moiseyev Dance Co/Ballet jivin’ to the Moses Ensemble. (Video via Olga BSP)

Soloists Tamara Golovanova and Lev Golovanov of the famed Moiseyev Dance Company in ‘Roch ‘n Roll,’ which created a sensation at Tchaikovsky Hall in Moscow, 1962. (Photo via Selina Moore)

Lev Golovanov would go on to become a Professor of Dance and a Choreographer Assistant at the Igor Moiseyev State Academic Ensemble of Folk Dance. He received a Russian government culture prize from Russia’s prime minister Dmitry Medvedev in 2014.

Iron Crystal Magnified – The Atomium

Construction of the Atomium, the Belgian pavilion for the World Expo 58 in Brussels, Belgium, 1957. Photo by Dolf Kruger.

Designed by the engineer André Waterkeyn and architects André and Jean Polak, it stands 102 m (335 ft) tall. Its nine 18 m (59 ft) diameter stainless steel clad spheres are connected so that the whole forms the shape of a unit cell of an iron crystal magnified 165 billion times.  – geheugenvannederland.nl

(via Dequalized)

The Time A Catholic Priest Dared To Challange Convention…And Was Destroyed

Father Alfred Juliano at the wheel of his Aurora Car, Developed with the object of maximizing safety for both occupants and pedestrians.

Despite having no mechanical knowledge, Father Juliano set out to put his heart and soul into that car. I think the whole story is so sad. He died a broken man, because he lost his dream.
– Andy Saunders, Present Owner and Restorer of the Aurora, New York Times, 2007

Father Juliano’s Aurora car certainly is an unusual looking vehicle – the story that goes with it is unusual as well. The photo and the narrative below can be found in Giles Chapman’s fascinating 2009 book, The Illustrated Encyclopedia of Extraordinary Automobiles, published by DK Publishing.

Aurora was unveiled [in 1957 and] was fully functioning (rather than a static exhibit). More importantly, the Aurora took careful account of pedestrian safety. This remarkable-looking car was the four-year project of a Catholic priest, Father Alfred Juliano of the Order of the Holy Ghost, with financial help from his congregation. His safety-first outlook led him to include seatbelts, side-impact bars, a collapsible telescoping steering column, and a curved, deeply-padded dashboard free of sharp projections. The seats could be swiveled around in the face of an impending, unavoidable accident. The Aurora’s tinted ‘Astrodome’ roof had three thick, built-in roll-over protection bars. Reporters roasted the car’s unveiling at Manhattan’s Hotel New Yorker, but entirely missed the point because the bizarre plastic contours, with wheels, radiator grille, and lights tucked deep away, were meant to stop a pedestrian from sustaining injury in just about any accidental contact. At a tentative US $12,000, it was almost as costly as the top Cadillac of the era; Father Juliano didn’t receive a single order despite offering a choice of power units. He was later forced to leave his church after allegations of misappropriating parishioner’s cash and personal bankruptcy.

A tragic spin on the proverb: The road to hell is paved with good intentions…?

The ‘Woman’s Dilemma’ Of 1947 – The Woman’s Mettle Of The 21st Century

Housewife Marjorie McWeeney, 1947 – Photographer: Nina Leen

This photo by Nina Leen [“Housewife Marjorie McWeeney amid symbolic display of her week’s housework” in “Woman’s Dilemma,” Life, June 16, 1947, p. 105] depicts part of the housewife-y stuff of attention in the course of her 100-long-week.  The remarkable part of the photo is that all of this was displayed in a window display at Bloomingdales.

Part of Ms. McWeeney’s average work week included “35 beds to be made, 750 items of glass & china, 400 pieces of silverware to wash, 174 lbs. of food to prepare, some of 250 pieces of laundry.on a line, & a ringer washing machine”–that plus paying attention to her children during  the 70+ hours a week in which they are awake.   – JF Ptak Science Books  Post 1047

From the LIFE magazine issue:

Actually Marjorie’s chores are much lighter than they would have been a few generations ago. She cleans with machinery propelled by electricity, she uses food prepared in canneries, she buys clothes factory-made to fit every member of the family. But her jobs, though relieved of old-time drudgery, have none of the creative satisfactions of home baking, home preserving, home dressmaking. And, because her family unit is small with no aunts or cousins in the household, all the time she saves from housework must go into supervision of her children. Unless she makes special arrangements with a baby-sitter, she has no relief from child care.

Many women in Marjorie’s position feel that this is a life of drudgery, that it is not good for Marjorie, a graduate of a junior college, to stay with small children long, continuous hours. Marjorie herself has no desire to work outside. Because as an individual she likes the job that she does, she has no problem right now. Like most busy young housewives, however, she gives little thought to the future–to satisfactory ways of spending the important years after her children have grown up and left home.

via JF Ptak Science Books: “Her Work” Visualizing the100-Hour Work Week of the 1947 Housewife..

So, what image do we, in the 21st century, present as a ‘symbolic display’ of today’s woman? The most recurrent image is woman as goddess – and not just any goddess, but the multi-armed Hindu victor of good over evil – Goddess Durga, also known as Chamundeshwari or Mahishasura Mardini:

Compare Durga with this image:

And this one:

Of course, the many arms of the modern woman represent ‘multi-tasking’ in the conscious mind. But what about the subconscious effect? In Hinduism the many arms of the deities represent their immense power and their magical ability to do several acts at the same time – it is the artist’s attempt to express the deity’s superhuman power. Are today’s women an evolutionary step towards a different kind of society in the future?

The ‘woman’s dilemma’ in Marjorie’s time was to be a stay-at-home-housekeeper or join the outside workforce. The woman’s dilemma of today doesn’t appear to be that simple to define. One observation can be made though – while the roles of women in the world of today are often taken for granted and under-appreciated, a subtle but certain empowerment is taking place. An empowerment many women in Marjorie’s generation only dreamed of – it’s a hard and challenging road, but could this be one that leads to a more promising future?

Only time will tell.

Salvador Dali – The Dream Designer (Spellbound, 1945)

Who better to design a dream sequence for a 1945 Hitchcock psycho-thriller than Salvador Dali? Eyes, curtains, scissors, playing cards (some of them blank), a man with no face, a man falling off of a building, a man hiding behind a chimney and dropping a wheel, and wings – psychoanalytic cues all and fab fodder for Dali’s surrealistic vision.

Still From the Dali Dream Sequence – Spellbound, 1945 (via Unkee E. on flickr)

Below is a video of the scene featuring Gregory Peck as Dr. Anthony Edwardes/John Ballantyne, Ingrid Bergman as Dr. Constance Peterson, and Michael Chekhov as Dr. Brulov. Dr. Peterson and Dr. Brulov are attempting to assist Ballantyne in recovering his lost memory by interpreting a dream that haunts him.

Spellbound is a film that could well be termed an endorsement on the healing virtues of psychoanalysis. While some aspects of the methods seem outdated for today, Hitchcock’s use of this makes for an abosrbing story. If you would like to watch the film in its entirety you can find it on YouTube here.