Imagining A Glow Of A Post-Nuclear StrikeStandard
16 July 1945. Alamogordo, New Mexico. 5:29:45 a.m. – ‘The Gadget’ is detonated and the world is forever changed. The ‘atomic era’ has begun. On 6 and 9 August 1945 the United States government drop two atomic bombs above the Japanese cities of Hiroshima and Nagasaki, respectively. The horror and devastation of these two atrocities soon become known around the world. 29 August 1949 – the Soviet Union conducts their first detonation of a nuclear weapon. The Cold War is on.
In the U.S., the possible reality of nuclear annihilation struck the minds of the people. At home, at work, at school, in entertainment, etc., the society was deluged with public service announcements and emergency preparedness geared towards surviving an atomic attack. Fortunately, that feared assault has not yet occurred – although it is still a possibility despite the fact that it is no longer quite so salient on the minds of the populace.
But what if it did occur? What would the remnants of the time look like to those future generations whose ancestors might have survived the destruction? There is an artist photographer whose work seems to capture that haunting effect. His name is Troy Paiva. He uses the moniker of ‘Lost America’ as the umbrella term for his projects.
Paiva has been drawn to urban exploration since being in his teens and he has used that interest to become the master of night photography. Utilizing natural moonlight, as well as synthetic lighting of varying kinds, he doesn’t just take photographs of his subjects – in a lot of ways, he paints them. Paiva’s works involving the abandoned west are the primary focus of this post.
Below are a few of Paiva’s photos depicting various remains of abandoned mid-twentieth-century cultural artifacts. Some of these were once considered the gems of the time – to collectors they still are. The eerie luminescence that colors these works evoke a kind of radiant glow often mentally associated with things atomic. In many ways they depict a society now long gone, and even though the decay has been brought about by abandonment, one’s imagination could be led to the thought of a more sinister destruction.
If you’re interested in seeing more of Troy Paiva’s works, you can visit his Lost America Flickr page here, or the Lost America website that features a bio, information on night photography workshops and techniques, links for purchasing books and prints, and access to Paiva’s blog, here.