The Marriage Of Movement And Music And Their First Child Named, Gumbasia

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When Art Clokey was a boy he would spend his summers on his grandfather’s farm in Michigan. He had a good pal who lived on a neighboring farm and, as boys liked to do in those days, Clokey and his pal often played with toy soldiers. Sometimes, when the battles were particularly fierce, they would need more troops. Clokey would raise them up by fashioning them out of a mixture of soil and water known as ‘gumbo’ – clay.

Some years later Art Clokey would create a children’s television icon – a kind of strange little character made of clay named Gumby.

Gumby - he's known to skate on one foot rather than walk.

Gumby – he’s known to skate on one foot rather than walk.

Before Art Clokey created Gumby he was an early claymation pioneer. It was his 1953 experimental claymation short, Gumbasia, that excited 20th Century Fox producer Sam Engel into giving Clokey his big break. ‘Art, that is the most exciting film I have ever seen in my life,’ Engel said. Engel envisioned a children’s television show using the idea of little claymation figures in various storylines. Giving free reign to Clokey he financed the Gumby pilot, introduced it to Tom Sarnoff at NBC Hollywood, and the rest is history.

Art Clokey’s Gumbasia was a fascinating project. Inspired by his mentor in film making, Slavko Vorkapich, Clokey wanted to work with the idea of ‘kinesthetic film principles’ which enabled him to show film forces through moving objects.

The movements exert a force on your nervous system. They pinch on your nervous system through your eye cells. When you organize the images in the movement from cut to cut, it stimulates the autonomic nervous system. It gives you added excitement and it can start a feeling of movement.

Combining the kinesthetic film principles with Vorkapich’s philosophy of film as poetry and music, Clokey created a short film unique for its time. Music wasn’t used just as a cover – it was an intrinsic part of the experience. The transformation of the objects along with their movements blend with the lyric and the pulse of the jazz. It’s a visual sound experience. It’s also the concept for what would become music video. Gumbasia might properly be considered a prototype for music videos into the future.

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