It’s kind of strange – the original concepts seemed to make videophones so appealing. Now that we have such things, not so much. Perhaps it’s not the videophones themselves but rather the people with whom we have to connect.
When Art Clokey was a boy he would spend his summers on his grandfather’s farm in Michigan. He had a good pal who lived on a neighboring farm and, as boys liked to do in those days, Clokey and his pal often played with toy soldiers. Sometimes, when the battles were particularly fierce, they would need more troops. Clokey would raise them up by fashioning them out of a mixture of soil and water known as ‘gumbo’ – clay.
Some years later Art Clokey would create a children’s television icon – a kind of strange little character made of clay named Gumby.
Before Art Clokey created Gumby he was an early claymation pioneer. It was his 1953 experimental claymation short, Gumbasia, that excited 20th Century Fox producer Sam Engel into giving Clokey his big break. ‘Art, that is the most exciting film I have ever seen in my life,’ Engel said. Engel envisioned a children’s television show using the idea of little claymation figures in various storylines. Giving free reign to Clokey he financed the Gumby pilot, introduced it to Tom Sarnoff at NBC Hollywood, and the rest is history.
Art Clokey’s Gumbasia was a fascinating project. Inspired by his mentor in film making, Slavko Vorkapich, Clokey wanted to work with the idea of ‘kinesthetic film principles’ which enabled him to show film forces through moving objects.
The movements exert a force on your nervous system. They pinch on your nervous system through your eye cells. When you organize the images in the movement from cut to cut, it stimulates the autonomic nervous system. It gives you added excitement and it can start a feeling of movement.
Combining the kinesthetic film principles with Vorkapich’s philosophy of film as poetry and music, Clokey created a short film unique for its time. Music wasn’t used just as a cover – it was an intrinsic part of the experience. The transformation of the objects along with their movements blend with the lyric and the pulse of the jazz. It’s a visual sound experience. It’s also the concept for what would become music video. Gumbasia might properly be considered a prototype for music videos into the future.
THO-RADIA cream, sold according to the formula of Dr. Alfred Curie (not related to the pair of researchers), was prepared with thorium and radium, two elements supposed to erase wrinkles. ‘Science has created THO-RADIA to beautify women. For them to enjoy it. Who wants to remain ugly!‘ Says the slogan of an advertisement extolling the benefits of the product.
Dr. Curie does not stop there he also launched THO-RADIA Powder, which contains titanium in addition to radium and thorium. ‘A choice of insulating material, titanium in particular, salts the bottom of the THO-RADIA Powder with a real covering tissue impervious to weather, to devastating radiation, and advantageously replaces the veil of Circassians‘ says Medical Dictionary and Practical Beauty Care published by Tho-Radia.
‘Logically’ THO-RADIA applies the principle to all kinds of products. Appearing as well as soap, recommended for removing makeup and grooming babies (sic) or THO-RADIA toothpaste. These products were supposed to meet pharmaceutical standards of the time. The mutagenic effects of radiation, in particular the risk of cancer, were discovered in 1927 by Hermann Joseph Muller (1890-1967).
The pharmaceutical industry is not far behind. There was a plethora of drugs to treat various ailments: Tubéradine (against tuberculosis), Digéraldine (stomach problems), Vigoradine (fight against fatigue), among many other names. Evidenced by the advertisements that appeared in the press of the time.
Radioactive water at home was also a success. There were many companies in the sector to rush into this new market. Some homes were even kitted out with radium coffee pots and fountains. It was a simple operation: a capsule of radium salts is housed inside the coffee pots and fountains. On contact with water, the salt released the radioactive fumes.
In the same vein, Revigator was a popular brand from 1920 to 1930. Produced by the company Revigator Radium Ore (San Francisco), it was sold to hundreds of thousands of customers in American homes.
The animals were also entitled to their radium treatment. Offered for sale in this advertisement is a radioactive food supplement for cattle, cows, horses, pigs and sheep. The farmer could also buy fertilizer…radioactive of course.
Wool Oradium was recommended for baby clothes because of ‘the extraordinary effect of organic cell stimulation‘ produced by the radium. In another taste, Iradia proposed underwear, apparently recommended for skiing, as shown in the above advert.
Burk & Braun asserted that adding radium bromide to chocolate has a ‘rejuvenating effect.’
Frederick Godfrey, British hair specialist, boasted the merits of a tonic and radioactive treatment for hair. According to this advertisement, Caradium allowed the recovery of the original hair color, while ‘making you look 10 to 20 years younger.’
Extract: ‘the miracles produced by radium in the treatment of cancerous tumors have led many scholars to experiment with the action of low doses of radium for the treatment of various skin conditions.’
Original Article Source: Premiere France
Being a big fan of mid-20th century concept cars, and being in the market for a new car in the early 21st century, it can be a very deflating reality check on how disappointing the future has become. One could go from make to make, lot to lot, row to row – after about three or four different stops it sinks in. 21st century automotive design is merely an exercise in the standard and mundane.
Yes, there are a lot of gadgets that were first conceptualized in the mid-20th century flourish of creative imaginings found within today’s vehicles – but the designs. You have your standard sedan, you have your standard coupe, your standard fuel-efficient – interestingly enough, the micro-cars seem to have the only standout designs around. The same can be said of the ‘throwbacks’ that are smartly being re-realized by a couple American auto companies. For most vehicles today, if it weren’t for the make medallions it’s nearly impossible to tell what is what.
So, as a reminder of the good ol’ days when auto design was still an art and an enthusiastic expression of things to come, let’s take a look at some of the creative, and yes, sometimes ‘way out’ concepts from the fantastic world of mid-20th century design. Once aptly referred to as ‘dream cars.’
And something a bit different:
Phew! So there ya have it. Love ’em or hate ’em one thing’s for sure – these concepts stir up a reaction. They have personality. They have guts. Not everyone was impressed during the ‘dream car’ heydays. We’ll leave this post with just one more image – Ken Johnson of the New York Times will have the last word.
The Capri Satellite, drawn in black ink by Russ Heath in 1957, is a cartoon parody of futuristic cars. Part Sputnik, part Edsel, it is a spherical flying machine with fins and antennas and a comically elaborate front bumper and grille. This and other satiric images suggest that for every true believer there was a skeptic ready to pounce on the goofy excesses of imagination to which visionaries are prone.
Just a musical interlude to let the fine readers of Atomic Flash Deluxe know that it’s still in operation. So much to explore and various projects to work on, but this lovely corner of the web is still very much in line for some new posts. Thanks for your patience.
The dreamy video above features the Francy Boland Orchestra playing an ethereal lounge version of Claudia.
They’re out-of-sight and out-of-mind these days but they’re still ready to do business when called. Yes, those Cold War classics, the U.S.A./U.S.S.R. nuclear missile collections, are still as relevant today as they were in the 20th century. Perhaps you’re part of the younger set who have no Cold War experience – the olden days of paranoia, crazy ideas like bomb shelters, and all that laughable stuff like ‘duck and cover.’ Yep, today we know that there’s not much to do in ‘the event’ and who would want to survive that stuff anyway? When we hear the clarion call of enemy missiles on the way, we’ll just climb up the highest hill, get a little drunk or high or both, and watch the freaky show as we evaporate into the All.
But wouldn’t it be fun to impress your friends and/or family during those last couple of hours or minutes? You can by knowing your nukes! Learning is fun and easy with the Monogram U.S.A./U.S.S.R. Missile set! The 2013 U.S.A./U.S.S.R. Missile Set is a reissue of the 1985 Cold War edition released shortly before the collapse of the Soviet Union. The name may have changed, but those missile classics remain in the attentive care of the Russian Federation.
As you build each model you’ll become familiar with the different size, shape, and look of each explosive missile. For the U.S. you get the mighty Titan II, the stylish Minuteman III, and the awesomely ironic Peacemaker, as well as the Pershing II. But that’s not all! There’s the sea-launched Polaris A3, Poseidon, and Trident. A pair of cruise missiles are also included – the ALCM (Air Launched Cruise Missile) and the sea-launched Tomahawk.
The Soviet set name classifications are a hoot. They include the US Department of Defense designations, consisting of ‘SS’ and a NATO codename. You get the massive SS-18 Satan, SS-4 Sandal, the stylish SS-13 Savage, the SS-17 Spanker, the SS-19 Stiletto, and the stubby SS-20 Saber. The sea-launched missiles include the SS-N-8 Sawfly, the SS-N-17 Snipe, and the SS-N-18 Stingray. And finally, you also get the classically designed air-launched AS-6 Kingfish.
If you’ve never worked with models before you’ll find that these missiles are fairly easy to construct with most consisting of only two halves and 45 pieces in all. Included with your kit you get a decal sheet to give those missiles an authentic touch, and a display base to show off your handiwork – this also makes for a nice quick-glance study guide.
So there you have it! The 2013 Monogram U.S.A./U.S.S.R. Missile Display Set – The Fun Way To Get To Know Your Nukes!
Mechanical automatons have fascinated the curious for a very long time. In the 20th century toy wind-ups became a mainstay in popular culture. Most weren’t as elaborate as the Ives bear pictured above, but a lot of them were pretty neat. Below are a selection of some stand-out examples.
The last wind-up for this post doesn’t do much – he just looks cool. He’s a clown manufactured by J. Chein & Co. (USA) (n.d.) – He just walks and wobbles.