“Manners” — Starring Mr. Do & Mr. Don’t (Pointers For Little Persons, [and big] 1943)

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There are a lot of ‘little’ persons with very big mouths these days. It seems that civility, decorum, and manners are alien concepts in today’s world. This book is a children’s primer published in 1943. It should be recalled that that was right in the middle of a world war.

Perhaps this should be put back in print and sent to every household around the world.















“Manners” — Starring Mr. Do & Mr. Don’t : Pointers For Little Persons

Written by Virginia Parkinson
Claytoons by Lowell Grant, Maxwell Dorne Studio
Illustrations by Isabel Phillips
Color Photos by Philip Fahs
Harvey House, Inc — Irving-on-Hudson, NY 1943
Lithographed Print edition, 1961

via The Childrens Bizzare

Sometimes You Just Need A Counterspy Outfit

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Official U.N.C.L.E. Counterspy Outfit Packaging

Official U.N.C.L.E. Counterspy Outfit Packaging

The Marx 1966 Man From U.N.C.L.E. Counterspy Outfit had it all. Check out this elaborate store display up for auction at Hake’s.

U.N.C.L.E. Counter Espionage Oufit Store Display

The Official Man From U.N.C.L.E. Counter Espionage Outfit Store
Display

The Special Equipment: handcuffs, a bullet shooting lighter, a nerve spray camera, a cool walkie talkie, a bullet shooting knife, a flat hand grenade, and ammunition.

Special Equipment

Sometimes you need Special Equipment

The Disguise Kit includes: an eye patch, makeup, eye glasses, mustaches, two beards, and a badge case (just in case you need to show your real identity).

Sometime you need to change identity...

Sometimes you need to change identity

Disguises

The All Purpose Gun includes: a missile grenade, a scope, a silencer, a sonic pistol, a barrel extension, and a stock extension.

You always need a good gun...

You always need a good gun

And, of course, what self-respecting counterspy would leave home without the obligatory attache case?

The Weatherproof Trench Coat With Secret Pockets includes a Special Squirting Button for creative use.

So there ya' have it - you're dressed for any mission.

So there ya’ have it – you are dressed and equipped for any mission.

Everything Is Beautiful – Even Computer Components

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The Computer Age (Cover)

The Computer Age is an informational brochure providing a short, but concise, story of the evolution of IBM computers from 1951 to 1976 (the year of publication). The entire booklet is available in PDF format from the Computer History Museum and can be found here. While it is an interesting introduction on how we got from there to here – from the huge and incredibly expensive vacuum tube mini-minds, to the less expensive, smaller, faster, and smarter personal computers of the time – there is something else that stands out.

The ‘special-effects’ photography of Mitchell Funk is fab. Below are three of his images from the booklet. IBM must have been immensely pleased by Funk’s ability to show their computer components as wonderful works of art.

Glistening Array Of Vacuum Tubes

A glistening array of IBM vacuum tubes.

Transister Rainbow

A row of transistors appear to be marching in front of rainbow-ed wiring.

The Ghosts In The Machine

This curious and haunting image suggesting the ‘ghosts in the machine’.

Pretty good stuffs.

 

A h/t to Luis Cesar at Facebook for the inspiration.

The Robots – ‘They Play On authentic Instruments’

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Les Robots Musique

The Robots: Oscar on Accordion, Ernest on Sax, and Anatole on Drums (image via 4peepsake)

Seen above is The Robots first lp record album cover released in the late 1960s. They were the first animatronic musical group that actually play real instruments.

An ex-POW in Germany during WWII, [Edouard] Diomgar was an engineer willing to raise money for his ex-POWs relief foundation (whose logo can be seen on the bass drum). During the 1950s and 1960s, he exhibited his robots trio at fun fairs, open air markets or train stations in France…Automatically synchronized, the bots’ movements are impulsed by photoelectric cells reading punch cards, sending information to arms and fingers via electromagnetic action. Most importantly, the robots actually produce music from their instruments, contrary to playback systems in US animatronic. Only the sound of the saxophone is replaced by what sounds like a mechanical Ondioline. Their repertoire includes everything from French musette accordion and popular songs, twist and rock’n’roll numbers from the 1960s, US musicals (#1, Leonard Bernstein) or jazz (#6, Sidney Bechet).

Les Robots-Music were exhibited during an all-robot show in Berlin’s Museum für Kommunikation in 2007. Check out their lively rendition of La Bamba below…

To read a bit more about the history of animatronic robot orchestras click here to get the scoop from Continuo.